2010/08/30 New York
Curry!
Cartoons!
As is probably widely known by now Sam Tanenhaus wrote a raving review on Jonathan Franzen’s novel “Freedom”.
One of the more interesting paragraphs of this review features a James Wood quote:
‘Instead, “The Corrections” towered out of the rubble, at once a monument to a world destroyed and a beacon lighting the way for a new kind of novel that might break the suffocating grip of postmodernism, whose most adept practitioners were busily creating, as James Wood objected at the time, “curiously arrested books that know a thousand different things — the recipe for the best Indonesian fish curry! the sonics of the trombone! the drug market in Detroit! the history of strip cartoons! — but do not know a single human being.”’
I’m not sure what we talk about when we talk about postmodernism, but I’m afraid that true postmodernism was never my cup of tea. Too much religion – true postmodernism struck me as an attempt to turn playfulness into an ideology.
Nevertheless, are we supposed to see Jonathan Franzen as the anti-postmodernist?
And to what books is James Wood, or Sam Tanenhaus for that matter, referring exactly?
8 comments
and what would become of a book that knows merely human beings, but furthermore knows nothing at all?
Arnon
Wood is opposing to - what he calls - 'hysterical realism'
(him being a lover of Chekhov himself).
You most probably find the answer on which books he's referring to in:
"The Irresponsible Self: On Laughter and the Novel"
Farrar, Straus and Giroux
312 pages
Essays
I haven't read it.
Fully agreeing with this. (it reminds me by the way of my latest novel, which will be the first one published )
post-post?
Was the 'suffocating grip of postmodernism' not already violently loosened by aeroplanes flying into two towers?
It seems to me that a lot of post 9/11 novels are not at all 'postmodern' in the way mr Tanenhaus talks about it.
Still, I am not sure what the current literary climate should be called. Post-postmodernism?
Wood
Wood was talking about Zadie Smith's White Teeth, but also about novels by Rushdie, DeLillo, and Franzen. His main critique is that books like those suffer from "hysterical realism". Smith wrote a wonderfully reflective response, in which she pleads guilty to the charge.
Some of Woods critique featured in The Guardian just after 9/11, but I remember reading a much more careful analysis that appeared not too long ago. Maybe it was in the New Yorker, one or two years ago. He had some really nice observations about literary characters.
http://www.guardian.co.uk/books/2001/oct/06/fictionhttp://www.guardian.co.uk/books/2001/oct/13/fiction.afghanistan
Utopia writers
Where technology provides more and more esthetic images of solar systems or brain structures, the ethical leap backwards seems irrevocable. It at least realizes that history, next to experience and knowledge, contains an awful lot of lies which makes analysis of it backwards only useful in the hands of anti-utopia (or of course utopia) writers because only they can integrate them into postmodern, or post postmodern timeframes.
I think DeLillo is a great writer.
sssjjjt !!