On acting – Pamela Paul in NYT:

‘Adrian Lester, a British actor from Birmingham and the son of two immigrants from Jamaica, was nominated last week for a Tony Award for his performance in “The Lehman Trilogy” as Emanuel Lehman, one of the German-born Jewish founders of the fallen investment behemoth Lehman Brothers. Lester, like the other actors in the three-man play, takes on several parts, including female characters and at one point, a thumb-sucking toddler.
There has been no outcry about a British actor of African descent playing a German Jew, nor was there any fuss when he played Bobby, a character traditionally performed by white actors, in a London production of Stephen Sondheim’s “Company,” for which he won an Olivier.
And why should there have been? It’s called acting.’

(…)

‘Daring to take on parts different from oneself didn’t always kick up a storm. Back in 1993 when Tom Hanks played a gay character in “Philadelphia,” he was hailed as brave for taking on homophobia and won an Oscar. Today, his performance no longer plays so well in some quarters. “Straight men playing gay — everyone wants to give them an award,” the performer Billy Porter complained in a 2019 actor’s round table. Yet many of our best gay, lesbian and bisexual actors — Jodie Foster, Alan Cumming, Kristen Stewart, Nathan Lane — have won awards for straight roles without even a murmur of complaint.’

Read the article here.

Yes, it’s called acting.
And yes, the ghettoizing of the fine and not so fine arts is hold in high esteem in some circles.

It cannot be repeated enough: to some liberation means that everybody should stay in his own ghetto.

Clarity and moral clarity first, dying afterwards.