“Babygirl has been analyzed through a feminist lens in various newspapers. Did it live to the expectations that this was a truly feminist movie? We should not judge art by ideological standards. Yes, half a century ago, some Western intellectuals fought against so-called bourgeois art in the name of the workers' paradise east of Berlin.”

In Madrid Review verscheen een vertaling van Arnon Grunbergs essay 'Het recht op begeerte' uit de Volkskrant over de film Babygirl, All Fours van Miranda July en de verbondenheid tussen liefde en ouderdom.